The figure in action

The Stick Figure In our methodical approach to building up your confidence as an artist, we're going to tackle something simple at first—our friend the stick figure. Go ahead, draw one right now! A reasonable stick figure at this point should contain a midline for the spine, two arms, two legs, and a circle for the head. Fingers for hands and lines for feet are optional, but being the conscientious craftsman that you are, I know you'll want to include them. Now draw your stick figure running, jumping, falling, walking, running, climbing—see how many poses you can come up with. The...

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Select the correct instructions for the actions in Figure 4.1: For example: A = 2 1. Turn the jack handle anticlockwise to lower the car. 2. Turn the gear wheel anticlockwise to raise the drill. 3. Turn the bolt clockwise to tighten it. 4. Press the top button to stop the motor. 5. Press the largest pedal to stop the car. 6. Pull the handle down to cut the metal bar. 7. Push the bar down to raise the load

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Figure 7-6. Entities defined in EF 4.0 Many of the changes that Microsoft made were to the EDM. You can see in Figure 7-7 that the properties page for the association has been modified. The information in the properties page isn’t that different from EF 3.5, but you can see some property naming differences as well as a few additions. You now have End1 and End2 differentiation, and you still have the Multiplicity and Role for each end. New to EF 4.0 on this page is the OnDelete property for each end, which specifies the action to be taken when...

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Cartooning–Concepts and Methods Part 1: Figure Drawing Basics, ™ and © Don Simpson 2000, all rights reserved. For individual use only. Classroom use without express written permission is strictly forbidden. Please email fiasco@MEGATONMAN.com for information. Published by Fiasco Comics Inc., PO Box 64, Wexford, PA 15090. www.MEGATONMAN.com The Stick Figure In our methodical approach to building up your confidence as an artist, we're going to tackle something simple at first—our friend the stick figure.

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Introduction: An organophosphorus nerve agent VX (O-ethyl S-2-diisopropylaminoethyl methylphosphonothiolate, Figure 2.1) shows potent inhibitory action on acetylcholinesterase; its development, production, stockpiling and use are being prohibited by the CWC international treaty as a chemical weapon together with those of sarin and soman. In addition, even material compounds for VX synthesis are being also controlled strictly. In the world history, there had been no records on the use of VX in any international dispute.

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Tài liệu tham khảo bằng tiếng Anh về nghệ thiật hội họa - Figure Drawing Without A Model - The figure in Action

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Gluteus superficialis HORSE • Origin: Point of the hip (coxal tuberosity) and an adjacent area on the outer edge of the ilium of the pelvis; from fascia covering the gluteus medius (in part ultimately originating from the ligament connecting the sacrum to the ilium). • Insertion: Third trochanter of the femur, one third of the way down the outside of the bone. • Action: Flexes the hip joint; pulls the limb away from the body. • Structure: The gluteus superficialis is a thin, V-shaped muscle that converges on the femur. The front portion is partly covered by, and firmly...

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The supraspinatus together create the rounded front edge of the shoulder form (located at the base of the side of the neck). In the ox, however, the supraspinatus alone creates the front of the shoulder form (the subclavius is deep). DOG AND FELINE • Origin: Outer surface of the front portion of the scapula and the adjacent cartilage. • Insertion: Inner and outer front corners of the top of the humerus. • Action: Extends the shoulder joint, advancing the limb. • Structure: The belly of the supraspinatus is thin where it begins, on the outside of the top of the shoulder blade;...

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Figure Artist brings a whole new dimension to posing a figure that would be nearly impossible in real life. With Figure Artist, the ability to catch an action pose is limitless. In real-life situations, about the best an artist can do is ask the model to perform an action and then try to capture the action with a camera, which is a haphazard approach at best. Figure 8.1 shows a pose taken from a model in Figure Artist that would be impossible for a live model to hold for more than a fraction of a second. This chapter deals with...

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Getting the Lay of the Land The viewfinder data changes depending on what action you’re currently undertaking and what exposure mode you’re using. For example, if you set the Mode dial to P (for programmed autoexposure), you see the current f-stop (aperture setting), shutter speed, exposure compensation setting, and ISO setting, as shown in Figure 1-14.

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When the center distance is increased by a relatively small amount, ∆C, a backlash space develops between mating teeth, as in Figure 1.21. The relationship between center distance increase and linear backlash, BLA, along the line of action, is: BLA

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